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- "Esci, omai, garzon malnato", No. 15 from "Le Nozze di Figaro", Act 2, K492 (Full Score).
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He shall die and be no longer the source of my troubles. Blind jealousy, what excesses you bring about! The Count unsheathes his sword and opens the dressing-room door. Susanna comes out. What is this amazement? Take your sword and kill the page, that low-born page you see before you. La cieca gelosia, qual eccesso gli fa far! Il Conte snuda il ferro ed apre la porta del gabinetto. Il brando prendete, il paggio uccidete, quel paggio malnato vedetelo qua. I feel my head spinning! Susanna was in there! They don't know what happened! He goes into the dressing-room. I cannot breathe.
La testa girando mi va! Entra nel gabinetto. Appena lo credo; se a torto v'offesi I beg your pardon, but playing such jokes is cruel, after all. I'm unfaithful and impious, and trying to humiliate you. Son l'empia, l'infida ch'ognora v'inganna.
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My lady! I am now no more than the miserable object of your desertion, whom you delight in driving to despair. Cruel, cruel man! This soul cannot bear to suffer such wrong.
"Esci, omai, garzon malnato", No. 15 from "Le Nozze di Figaro", Act 2, K492 (Full Score)
Ma il misero oggetto del vostro abbandono che avete diletto di far disperar. Crudele, crudele! If I could Who would believe again in woman's anger? I was wrong and I repent! Figaro enters. Hear the trumpets, and listen to the pipes. Entra Figaro. Do you know, my good Figaro, who wrote this letter? He shows him a letter. Tira fuori il foglio. Antonio comes rushing in, holding a pot of crushed carnations. Who did it? Quanto tardi a comparir! Entra frettolosamente Antonio, con un vaso di garofani schiacciati.
Signor, signor! Chi'l fece? Chi fu? From the balcony that looks out on the garden I've seen a thousand things thrown down, but just now, what could be worse? I saw a man, my lord, thrown out!
What is that drunkard doing here? You're tipsy from break of day. Tu sei cotto dal sorger del di. Making such a fuss for threepence!
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Since the fact can't be kept quiet, it was I who jumped from there! A genius! Voi stesso? Che ingegno! When you jumped you weren't like that. Let's wind up this nonsense! Finiam questo ballo! When I heard an unusual noise I thought of the letter Antonio leaves. Antonio parte. The page's commission!
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The commission! It's the commission that the boy gave me a while ago. La patente del paggio! La patente! Poor man, he knows less than I do, etc. Marcellina, Bartolo and Basilio enter. I'm beginning to feel better. Poverino ne sa men di me, ecc. Entrano in fretta Marcellina, Bartolo e Basilio. I am here to render judgment. Io son qui per giudicar. We will read the contract and proceed in due order.
irbranroosubci.tk Lo vedremo, il contratto leggeremo, tutto in ordin deve andar. Che bel caso! Andante con moto III. An anonymous letter, the maid shut in the closet, my lady in a state of confusion, a man who leaps from the balcony into the garden, another one who says that it was him; I don't know what to think. Could it perhaps be one of my servants? Such people are habitually presumptuous. But the Countess - ah, there one cannot doubt without offence! She has too much self-respect, and respect for my honour too.
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